.comment-link {margin-left:.6em;}

High Definition Video for Independent Filmmakers
A How To Guide for Digital Filmmakers
Welcome all! This is my blog to share my latest research,
thoughts, etc. on utilizing HD for independent filmmaking.

YES, I am available for consulting
Contact me at mike@hdforindies.com

All content copyright 2004-2007 Mike Curtis.

Monday, January 17, 2005

Apple's Plans for FCP 5 at NAB (including HDV) 

OK, there is a tiny bit of conjecture in this one, but I'm 99% sure here's how it's going to go:

1.) Apple will roll out Final Cut Pro HD 5 at NAB in April. At least announce if not ship.

2.) The scoop on HDV & the Apple Intermediate Codec: HDV will be supported the same way it is in Final Cut Express HD, which I finally confirmed IS a 4:2:0 codec specifically made for working with HDV. There are 720p and 1080i setups for HDV, and you can "roll your own" other sizes. The codec is 4:2:0 only. There are other output options. But when you choose the 1080i or 720p options in the QT export panel, you're actually preconfiguring a whole bunch of things that get written into the quicktime movie header - the field order, pixel aspect ratio, clean aperture, as well as media and playback dimensions. If you choose "other" then you are free to go the "size" box and enter custom dimensions - say 720x480. But the other meta-information is not setup, so the intermediate codec *could* be repurposed for other media types, but it is really focused on supporting HDV, which is 4:2:0, and comes in 1080i and 720p flavors, and making the import and export of those HDV formats as simple as possible. The audio is transcoded as well, from Mpeg-1, layer 2 audio to straight-up, uncompressed 48KHz PCM.

3.) Fiber Channel connectivity has been described as "important" in this upcoming release

4.) IMX and 1080i50 DVCPRO HD will also be supported.

5.) DVCPRO HD 1080i50 will have less compression per frame than 1080i60 DVCPRO HD. Same overall bandwidth used, fewer frames per second, more bandwidth per frame, so less compression, better quality. See my previous post about 1080i50==>1080p25==>1080p24 workflows for the new Panasonic camera.

6.) Similarly, 1080i50 HDV codec (and it's Apple Intermediate Codec) will have higher bitrate per frame for same reasons.

7.) I'd expect lots of demonstrations of Xsan integrating with Final Cut Pro HD now that Xsan has shipped. I'll have more to say on Xsan in the near future. I did get this key bit of info: for each workstation that wants to work with uncompressed HD simultaneously, you'll need a fully populated X-Serve RAID. Want one uncompressed, one compressed HD station? One X-RAID fully populated. Want three simultaneous uncompressed HD users? Three X-RAIDs fully populated. Eeyouch.
Comments:
Where's the HDCAM support? Why is Apple moving towards the 'lesser' formats so quickly? I understand HDV and its consumer applications, but they've totally jumped in with DVCPROHD, which at this point is really just the Varicam. This seems to be rather counterproductive.
 
HDCAM is already supported via HD-SDI using third party products like BlackMagic's DeckLink HD line, AJA's Kona2, and Pinnacle's Cinewave.

HDCAM isn't supported at the native codec level like DV, HDV, and DVCPRO HD. Part of the reason for no native HDCAM codec support is because HDCAM is Sony's format, and Sony has a native codec HDCAM editor called XPri, and they don't want to share their toys with anyone else. If XPri weren't unique in it's HDCAM native codec support, it would have less of a reason to exist.

It already isn't selling fabulously well I would guess.

-mike
 
i just purchased a pmac dual 2.7, 8 gigs ram, internal250 & 400 hard drives, external esata 250 x 4 seagate barracuda 7200.9 hard drives, run by pci-x sonnet tempo 8 esata card( 8 x 300 MBps outputs), final cut production suite, and want to edit several hdcam wedding tapes in final cut. what hdsdi card do you recommend (i.e. kona 2 versus decklink hd) to import the (preferably uncompressed?)1080i 24p data for use in final cut? i realize the uncompressed data rate is well over 150 MBps, which is why my external sata setup is sata II 300 MBps. although final cut does not have the hdcam codec, does this article you wrote mean as long as the hd-sdi card can import the data to the mac hard drives that final cut pro can use it?
 
This post was extremely helpful to me.
*******
Where's the HDCAM support? Why is Apple moving towards the 'lesser' formats so quickly? # posted by Anonymous : Mon Jan 17, 09:55:29 PM CST
HDCAM isn't supported at the native codec level like DV, HDV, and DVCPRO HD. Part of the reason for no native HDCAM codec support is because HDCAM is Sony's format, and Sony has a native codec HDCAM editor called XPri, and they don't want to share their toys with anyone else. If XPri weren't unique in it's HDCAM native codec support, it would have less of a reason to exist.
*******
I have a client that wants me to finalize the edit in 1080i HDcam and I'm a Final Cut Pro user. Could someone walk me through my options. The assumption is that they will be providing me 1080i Footage on Hard Drives and all I need to do is edit and output a 1080i QT, but the HDCam format is throwing me for the loop. Cheers and thanks.
 
Post a Comment


Links to this post:

Create a Link

This page is powered by Blogger. Isn't yours?

Listed on BlogShares