Atom Feed
RSS Feed
Buy Mike Recommended
edit systems & gear
from Silverado Systems
Buy Books, Software, & More
at HD for Indies Amazon Store
Buy New Movies from
HD for Indies Amazon Store
Or, you can also support
HD4NDs by contributing
to the tip jar...
Help Support HD for Indies
RSS Feed
Buy Mike Recommended
edit systems & gear
from Silverado Systems
Buy Books, Software, & More
at HD for Indies Amazon Store
Buy New Movies from
HD for Indies Amazon Store
Or, you can also support
HD4NDs by contributing
to the tip jar...
Help Support HD for Indies
Advertisements
Great HD Links
- HD For Indies Home Page
- HD For Indies FAQ
- HD 24
- Cinematography
- Bare Feats
- 24p Entertainment
- Light Illusion (was Digital Praxis)
- OneRiver Codec Resource
- CamcorderInfo.com
- LumiereHD
- HighDef.org Info
- Understanding RAID
- Video Systems (Reviews)
- DV Film (DV=>Film)
- SonyHDVInfo.com
- Plus 8 Digital (vendor)
- Digital Cinema Society
- Texas High Def (local F900 guy)
- Creative Cow (news & forums)
- Philadelphia FCP User Group
- Los Angeles FCP User Group
- Cinema Tech
- FresHDV
- DV Info's forums
- HVX User
- Pro App Tips
- Bluesky Media - Instruction
- RedUser.net
- fxguide
- little frog in high def
- VideoMaker Learning Section
- Stu Maschwitz's ProLost
Archives
- March 2004
- April 2004
- May 2004
- June 2004
- July 2004
- August 2004
- September 2004
- October 2004
- November 2004
- December 2004
- January 2005
- February 2005
- March 2005
- April 2005
- May 2005
- June 2005
- July 2005
- August 2005
- September 2005
- October 2005
- November 2005
- December 2005
- January 2006
- February 2006
- March 2006
- April 2006
- May 2006
- June 2006
- July 2006
- August 2006
- September 2006
- October 2006
- November 2006
- December 2006
- January 2007
- February 2007
- March 2007
- April 2007
- May 2007
- June 2007
- July 2007
- August 2007
- September 2007
- October 2007
- November 2007
- December 2007
- January 2008
- February 2008
- March 2008
- April 2008
- May 2008
- June 2008
- July 2008
- August 2008
- September 2008
- November 2008
- December 2008
- January 2009
- March 2009
- April 2009
- May 2009
- June 2009
- July 2009
- August 2009
- September 2009
High Definition Video for Independent Filmmakers
A How To Guide for Digital Filmmakers
Welcome all! This is my blog to share my latest research,
thoughts, etc. on utilizing HD for independent filmmaking.
YES, I am available for consulting
Contact me at mike@hdforindies.com
All content copyright 2004-2007 Mike Curtis.
Monday, January 17, 2005
Apple's Plans for FCP 5 at NAB (including HDV)
OK, there is a tiny bit of conjecture in this one, but I'm 99% sure here's how it's going to go:
1.) Apple will roll out Final Cut Pro HD 5 at NAB in April. At least announce if not ship.
2.) The scoop on HDV & the Apple Intermediate Codec: HDV will be supported the same way it is in Final Cut Express HD, which I finally confirmed IS a 4:2:0 codec specifically made for working with HDV. There are 720p and 1080i setups for HDV, and you can "roll your own" other sizes. The codec is 4:2:0 only. There are other output options. But when you choose the 1080i or 720p options in the QT export panel, you're actually preconfiguring a whole bunch of things that get written into the quicktime movie header - the field order, pixel aspect ratio, clean aperture, as well as media and playback dimensions. If you choose "other" then you are free to go the "size" box and enter custom dimensions - say 720x480. But the other meta-information is not setup, so the intermediate codec *could* be repurposed for other media types, but it is really focused on supporting HDV, which is 4:2:0, and comes in 1080i and 720p flavors, and making the import and export of those HDV formats as simple as possible. The audio is transcoded as well, from Mpeg-1, layer 2 audio to straight-up, uncompressed 48KHz PCM.
3.) Fiber Channel connectivity has been described as "important" in this upcoming release
4.) IMX and 1080i50 DVCPRO HD will also be supported.
5.) DVCPRO HD 1080i50 will have less compression per frame than 1080i60 DVCPRO HD. Same overall bandwidth used, fewer frames per second, more bandwidth per frame, so less compression, better quality. See my previous post about 1080i50==>1080p25==>1080p24 workflows for the new Panasonic camera.
6.) Similarly, 1080i50 HDV codec (and it's Apple Intermediate Codec) will have higher bitrate per frame for same reasons.
7.) I'd expect lots of demonstrations of Xsan integrating with Final Cut Pro HD now that Xsan has shipped. I'll have more to say on Xsan in the near future. I did get this key bit of info: for each workstation that wants to work with uncompressed HD simultaneously, you'll need a fully populated X-Serve RAID. Want one uncompressed, one compressed HD station? One X-RAID fully populated. Want three simultaneous uncompressed HD users? Three X-RAIDs fully populated. Eeyouch.
1.) Apple will roll out Final Cut Pro HD 5 at NAB in April. At least announce if not ship.
2.) The scoop on HDV & the Apple Intermediate Codec: HDV will be supported the same way it is in Final Cut Express HD, which I finally confirmed IS a 4:2:0 codec specifically made for working with HDV. There are 720p and 1080i setups for HDV, and you can "roll your own" other sizes. The codec is 4:2:0 only. There are other output options. But when you choose the 1080i or 720p options in the QT export panel, you're actually preconfiguring a whole bunch of things that get written into the quicktime movie header - the field order, pixel aspect ratio, clean aperture, as well as media and playback dimensions. If you choose "other" then you are free to go the "size" box and enter custom dimensions - say 720x480. But the other meta-information is not setup, so the intermediate codec *could* be repurposed for other media types, but it is really focused on supporting HDV, which is 4:2:0, and comes in 1080i and 720p flavors, and making the import and export of those HDV formats as simple as possible. The audio is transcoded as well, from Mpeg-1, layer 2 audio to straight-up, uncompressed 48KHz PCM.
3.) Fiber Channel connectivity has been described as "important" in this upcoming release
4.) IMX and 1080i50 DVCPRO HD will also be supported.
5.) DVCPRO HD 1080i50 will have less compression per frame than 1080i60 DVCPRO HD. Same overall bandwidth used, fewer frames per second, more bandwidth per frame, so less compression, better quality. See my previous post about 1080i50==>1080p25==>1080p24 workflows for the new Panasonic camera.
6.) Similarly, 1080i50 HDV codec (and it's Apple Intermediate Codec) will have higher bitrate per frame for same reasons.
7.) I'd expect lots of demonstrations of Xsan integrating with Final Cut Pro HD now that Xsan has shipped. I'll have more to say on Xsan in the near future. I did get this key bit of info: for each workstation that wants to work with uncompressed HD simultaneously, you'll need a fully populated X-Serve RAID. Want one uncompressed, one compressed HD station? One X-RAID fully populated. Want three simultaneous uncompressed HD users? Three X-RAIDs fully populated. Eeyouch.
Comments:
Where's the HDCAM support? Why is Apple moving towards the 'lesser' formats so quickly? I understand HDV and its consumer applications, but they've totally jumped in with DVCPROHD, which at this point is really just the Varicam. This seems to be rather counterproductive.
HDCAM is already supported via HD-SDI using third party products like BlackMagic's DeckLink HD line, AJA's Kona2, and Pinnacle's Cinewave.
HDCAM isn't supported at the native codec level like DV, HDV, and DVCPRO HD. Part of the reason for no native HDCAM codec support is because HDCAM is Sony's format, and Sony has a native codec HDCAM editor called XPri, and they don't want to share their toys with anyone else. If XPri weren't unique in it's HDCAM native codec support, it would have less of a reason to exist.
It already isn't selling fabulously well I would guess.
-mike
HDCAM isn't supported at the native codec level like DV, HDV, and DVCPRO HD. Part of the reason for no native HDCAM codec support is because HDCAM is Sony's format, and Sony has a native codec HDCAM editor called XPri, and they don't want to share their toys with anyone else. If XPri weren't unique in it's HDCAM native codec support, it would have less of a reason to exist.
It already isn't selling fabulously well I would guess.
-mike
i just purchased a pmac dual 2.7, 8 gigs ram, internal250 & 400 hard drives, external esata 250 x 4 seagate barracuda 7200.9 hard drives, run by pci-x sonnet tempo 8 esata card( 8 x 300 MBps outputs), final cut production suite, and want to edit several hdcam wedding tapes in final cut. what hdsdi card do you recommend (i.e. kona 2 versus decklink hd) to import the (preferably uncompressed?)1080i 24p data for use in final cut? i realize the uncompressed data rate is well over 150 MBps, which is why my external sata setup is sata II 300 MBps. although final cut does not have the hdcam codec, does this article you wrote mean as long as the hd-sdi card can import the data to the mac hard drives that final cut pro can use it?
This post was extremely helpful to me.
*******
Where's the HDCAM support? Why is Apple moving towards the 'lesser' formats so quickly? # posted by Anonymous : Mon Jan 17, 09:55:29 PM CST
HDCAM isn't supported at the native codec level like DV, HDV, and DVCPRO HD. Part of the reason for no native HDCAM codec support is because HDCAM is Sony's format, and Sony has a native codec HDCAM editor called XPri, and they don't want to share their toys with anyone else. If XPri weren't unique in it's HDCAM native codec support, it would have less of a reason to exist.
*******
I have a client that wants me to finalize the edit in 1080i HDcam and I'm a Final Cut Pro user. Could someone walk me through my options. The assumption is that they will be providing me 1080i Footage on Hard Drives and all I need to do is edit and output a 1080i QT, but the HDCam format is throwing me for the loop. Cheers and thanks.
*******
Where's the HDCAM support? Why is Apple moving towards the 'lesser' formats so quickly? # posted by Anonymous : Mon Jan 17, 09:55:29 PM CST
HDCAM isn't supported at the native codec level like DV, HDV, and DVCPRO HD. Part of the reason for no native HDCAM codec support is because HDCAM is Sony's format, and Sony has a native codec HDCAM editor called XPri, and they don't want to share their toys with anyone else. If XPri weren't unique in it's HDCAM native codec support, it would have less of a reason to exist.
*******
I have a client that wants me to finalize the edit in 1080i HDcam and I'm a Final Cut Pro user. Could someone walk me through my options. The assumption is that they will be providing me 1080i Footage on Hard Drives and all I need to do is edit and output a 1080i QT, but the HDCam format is throwing me for the loop. Cheers and thanks.
酒店經紀人,
菲梵酒店經紀,
酒店經紀,
禮服酒店上班,
酒店小姐兼職,
便服酒店經紀,
酒店打工經紀,
制服酒店工作,
專業酒店經紀,
合法酒店經紀,
酒店暑假打工,
酒店寒假打工,
酒店經紀人,
菲梵酒店經紀,
酒店經紀,
禮服酒店上班,
酒店經紀人,
菲梵酒店經紀,
酒店經紀,
禮服酒店上班,
酒店小姐兼職,
便服酒店工作,
酒店打工經紀,
制服酒店經紀,
專業酒店經紀,
合法酒店經紀,
酒店暑假打工,
酒店寒假打工,
酒店經紀人,
菲梵酒店經紀,
酒店經紀,
禮服酒店上班,
酒店小姐兼職,
便服酒店工作,
酒店打工經紀,
制服酒店經紀,
酒店經紀,
菲
梵,1
Post a Comment
菲梵酒店經紀,
酒店經紀,
禮服酒店上班,
酒店小姐兼職,
便服酒店經紀,
酒店打工經紀,
制服酒店工作,
專業酒店經紀,
合法酒店經紀,
酒店暑假打工,
酒店寒假打工,
酒店經紀人,
菲梵酒店經紀,
酒店經紀,
禮服酒店上班,
酒店經紀人,
菲梵酒店經紀,
酒店經紀,
禮服酒店上班,
酒店小姐兼職,
便服酒店工作,
酒店打工經紀,
制服酒店經紀,
專業酒店經紀,
合法酒店經紀,
酒店暑假打工,
酒店寒假打工,
酒店經紀人,
菲梵酒店經紀,
酒店經紀,
禮服酒店上班,
酒店小姐兼職,
便服酒店工作,
酒店打工經紀,
制服酒店經紀,
酒店經紀,
菲
梵,1
Links to this post:

