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High Definition Video for Independent Filmmakers
A How To Guide for Digital Filmmakers
Welcome all! This is my blog to share my latest research,
thoughts, etc. on utilizing HD for independent filmmaking.

YES, I am available for consulting
Contact me at mike@hdforindies.com

All content copyright 2004-2007 Mike Curtis.

Wednesday, February 16, 2005

SCOOP! Details of forthcoming Final Cut Pro 5! This is BIG 

UPDATED: More comments/analysis added below

Think Secret is reporting that Final Cut Pro 5 will be revealed at NAB in a couple of months. I saw the headlne and thought to myself "I already knew that. With HDV, IMX, and 1080i50 DVCPRO HD support, what are you going to tell me I DIDN'T know?"

Apparently, a LOT. Read the article for all the details.

Here's the biggies:

-it's not shipping at NAB
-It requires/relies on QuickTime 7 and Tiger
-LOTS of Core Video integration, meaning more/better realtime blurs, effects, etc. (perhaps even better RT compositing as well)
-more audio tracks (rumored)
-multicam support (rumored)
-other Pro Apps improved or brand new
-Motion to get Core Video stuff as well

Mike's Comments/Analysis:

OK, first off, this is from a rumor site, so who knows if it's true. Actually, I take the potential delay as a good sign - based on rumors I'd heard, I expected Final Cut Pro 5 to be a minor update supporting new features with other features like better fiber channel integration, but honestly I'd expected Core Video stuff to get wrapped into the next version. With the benefits of QuickTime 7 and Tiger due over the summer, and an expected spring release date for FCP 5, Core Video, Spotlight, etc. wouldn't be integrated until next year at NAB. Apple's more on the ball than I expected if this comes to pass.

If this is true, that means we're on our own until this summer in terms of HDV & AIC support in Final Cut Pro HD. Final Cut Express HD has shipped and is available, but doesn't have all the goodies of Final Cut Pro. I'd expect FCP5 to import FCE HD projects, though.

In light of the fact that Apple announced June 6 as the start day of their World Wide Developer's Conference (WWDC), I'm betting they release Tiger (OS X 10.4) at or right before the beginning of the WWDC, so the developers can learn all about it. Why have the WWDC and NOT have the new OS ready? That'd be silly. Unless it was almost ready and developers would be to play with a very late beta. But in general, it would make the most sense to have it available at WWDC. So why schedule WWDC for before the OS is ready? I say OS X should be out right around my birthday - June 4th. Happy Birthday to me!

-So I'm also betting that FCP 5 won't ship until after my birthday - if it depends on QT7 & Tiger, it's not releasable until those are out. So sometime in June for FCP 5 at the earliest.

-this also sounds like FCP 5 will be a big release in terms of more power under the hood. Great!

-Core Image & Core Video - which I've written about here and here extensively in the past, which means that the OpenGL card's GPU (graphics processing unit) and the CPU (central processing unit such as G5) work together to do lots of very impressive realtime effects, color correction, blurs, etc. This'll mean a LARGE increase in what you can do in real time. Maybe, possibly, mixing codecs and/or frame sizes on the same timeline.

-at least one brand new Pro Video app, and updates to others. Exciting!

-mike
Comments:
I read the article and it mentioned supporting more than two tracks. I'm hoping they mean locking more than two tracks to video in addition to capturing concerns. I've always found that to be one of FCP's oddest problems. In features now it's very common to be recording on a DA-88 (8 tracks) so that you can have various levels and/or compressions and/or character mics - yet you can't lock them all together and edit them easily in FCP.

You can edit with all of them, but you have to use a lot of mouse and keyboard play and it really killed the fluidity. So - the ability to lock multiple audio layers with the picture would be a huge benefit. Now - I've not played with this goals since version 4.5, so if they fixed it in that, I wasn't aware.
 
I suspect that more than two tracks is all about the new multichannel (or surround sound) support in QT 7. Long overdue for sure.

It probably will also support incoming capture too (hardware providing).

It will be very nice to be able to do do at least rough multichannel mixes while editing instead of doing OMF round-trip exports into DP (or ProTools, etc.).

I'm actually hoping the Core Image support will improve the panning and scaling of stills and similar elements. I do a LOT of this sort of thing for the corporate presentations I do and running everything through Motion or Livetype isn't always as efficient. This would put FCP quite a few notches up in the FX realm I think.

At any rate, looks like we all have something to look forward to.
 
I'm hoping for a Universal timeline. Hopefully CoreVideo, along with a very fast GPU like the Nvidia 6800 or ATI X800 can turn FCP into a Quantel "Anything-in, Anything-out" type of interface, where NTSC can be converted to PAL, HD-up rezzed and down-rezzed on the fly, etc. So you just drop whatever you want on the timeline, whatever codec, etc., and automatically CoreVideo starts to operate with file conversion filters and high-quality scalers that can take any format and make it anything else.

Now THAT would be cool :)
 
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