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High Definition Video for Independent Filmmakers
A How To Guide for Digital Filmmakers
Welcome all! This is my blog to share my latest research,
thoughts, etc. on utilizing HD for independent filmmaking.

YES, I am available for consulting
Contact me at mike@hdforindies.com

All content copyright 2004-2007 Mike Curtis.

Wednesday, September 28, 2005

Not dead, just super busy 

OK, so why no posts for a couple of days? Let's see:

-record heat in Austin - old records beat by 7 or more degrees, new records every day for the last WEEK
-108 on Sunday
-no air conditioning since Sunday
-IRS has mistakenly decided I owe them money, have to jump through hoops to show that it doesn't owe taxes for a period in which that business had no income
-17 year old cat goes missing, in 100+ degree heat, moving back from place-other-than-home

Oh, and then on top of all that, the part you guys care about - we have been working on a project to color correct a 15 minute short shot in HDV at 1080i60 using Final Touch HD. How's it going? Colorist's done coloring and I'm dickering with some XML issues to get all the rendered stuff back into Final Cut exactly right. The results look great, I'm feeling better about HDV's ability to accept moderately aggressive color correction.

My gut still says that as a format, regardless of camera of origination, HDV doesn't hold up to HDCAM (as expected), but that it is doing better than I thought it would. HDV is definitely the everyman's HD in much the same way that DV is the everyman's SD, but that you need bigger/better/faster everything to handle it in an equivalent fashion.

OK, gotta blaze....

-mike

UPDATE - Cat found, AC fixed, IRS hordes pushed back across the Rubicon, client snargle managed.

It's all about problem solving.

: )
Comments:
Mike
I think your cat decided to move to San Francisco, where we never get that kind of heat.
hope you find him...
eric
 
Mike,

Yeah, the heat is sucking the life out of me too.

Glad to hear the positive feedback on HDV in terms of color correction. You mentioned HDCam, but I'm more curious (and I would guess a lot of other people are too) about how you feel the HDV format holds up against DVCProHD when it comes to "moderately agressive" color correction. If you get a chance, post some thought on that.
Given the HVX and the XLH1, I think a lot of people are trying to decide between the two codecs.

Good luck with the cat, I hope he/she comes home soon.

-Luis Caffesse
 
i hope you find your cat...
 
I am betting that kitty just went to find a shady cool damp place to wait out the heat :)
 
Hey Mike,

I would really love it if you could post a before & after still of what you consider moderately aggressive color correction with HDV. I think that's something that those of us who have been hearing negative things on cinematography mailing lists (among other places) about the ability to color correct HDV footage would greatly appreciate (I know I would, as I'm consider HDV for a doc).
 
Not to bury you in these questions, but I'm assuming the footage was shot with FX-1 or Z-1; if so, did you/are you planning to 24p-ize this or leave her as is?
 
To 24p or not to 24p, that is the question...sigh. I'm betting not just based on time available and priority of other things. Can I get a good looking 24p? Yes. Can I get it done in time for their deadline, and do the R&D I want to do to find the best way to do it? That I don't know.
 
From what I understand (after coming from an HDV night at LAFCPUG) is that HDV is a 'decent' format for acquisition, but not for editing. Offline with it at DV quality, but when it comes to online, capture it 8-bit or 10-bit uncompressed HD thru the use of a Kona LH or Decklink card and color correct it in a 4:2:2 colorspace.

Master out to HDV again ONLY as a last resort. Since no one takes HDV masters, but rather D5 or possibly DVCPRO HD, then capture and deal with it in those formats, not it's native one.
 
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