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High Definition Video for Independent Filmmakers
A How To Guide for Digital Filmmakers
Welcome all! This is my blog to share my latest research,
thoughts, etc. on utilizing HD for independent filmmaking.

YES, I am available for consulting
Contact me at mike@hdforindies.com

All content copyright 2004-2007 Mike Curtis.

Friday, December 16, 2005

HD For Indies Exclusive: The Scoop on the RED camera-YES it's for real 

UPDATED - see below

OK, so here's the scoop on the RED camera:

It's real. Jim Jannard, founder of Oakley, is the guy behind it, as the web rumors have suspected.

I got a chance to have a long conversation with Jim Jannard and a bunch of his engineers about the RED camera that they're making. After hours of conversation, you can color me a believer in what he's doing, and what he wants this camera to do and be.

UPDATE: this is NOT an interview. I wrote this in a hurry and realized a Q&A between a hypothetical reader (and the questions and tone they typically would have) and myself, knowing what I know about the camera, would be a good format to present the information in. For instance, my comment about "da bomb" was me having fun with some of the reader inquiries I get. In my hurry to get it online, I failed to define that. My bad. Read this more like an FAQ on a website than a sit-down interview with anyone in particular. Answers provided are my answers, based on my opinions and knowledge of Jim and the RED. My apologies if I inadvertently gave the wrong impression.

OK, on to the good stuff:

Q&A on RED the company:

Q: Is this thing for real?

A: Yes, it is. Wholeheartedly.

Q: So who's behind it?

A: Jim Jannard, founder of Oakley. Jim is a HUGE camera nut himself, owns about 1000 cameras himself - digital, film, motion, still, all of it. He shot all of Oakley's ads himself until the early 90s. This guy is hands on about cameras, and has changed his role within Oakley to allow time for the new company, RED.

Q: But they make sunglasses and stuff. What are they doing making a camera? Why?

A: Two reasons:

1.) Jim is a huge camera nut, as I've said, and

2.) Jim has a long history of entering markets that others have dominated and disrupting those markets. Jim's original vision when he started Oakley was to marry art and technology.

2 1/2.) Oh, and probably because he thinks it'd be fun and cool, and Needs To Be Done. The established players are reluctant to come out with disruptive technology, because, frankly, it would disrupt their business models and make their existing client base cranky. RED isn't.

Q: Can they do this? Jim? Oakley? Huh? After all, they make sunglasses and clothes and stuff.

A: They have, time and time again, entered new markets different from where they started and done well with it. At first that was a motorcycle handgrip, then goggles, then sunglasses, etc. etc. etc. I was very impressed with how serious they were about the technology and material science parts of this. Oakley is a big believer in being self contained, they have extensive tooling, testing, and machining capabilities inhouse. They are big believers in best tech for the job, and were the seventh delivery of a rapid prototyping system back in the early 90s for example. They are big on being early tech adopters where it pays off, and aggressive about incorporating latest advances.

Q: Where's the money coming from?

A: Jim and Oakley have tremendous resources, both financial and technical inhouse, and this puts them in a different league from all the other camera wannabes.

Q: Dude! So what about the camera? Is it da bomb, or a bomb?

A: As for the camera itself, there's a lot of information on the RED website itself, go check it out. I wrote about the specs a couple of times already here and here. But it says right there on the website that "This information is preliminary. It could change at any moment."

Q: When's it coming out?

A: Unknown. If you read their contact page on the site, it says they'll be making a presentation at NAB 2006 (that's in April in Vegas for those not keeping track). It doesn't say shipping product, it doesn't say announcement, it says presentation, which is ambiguous. And see above Q&A about preliminary specs - sounds closer to malleable dough than cooked bread. Engineering takes time.

Q: What good is it going to do non full-on Hollywood productions if it is only fiber channel out? Isn't that ultra expensive and big and heavy?

A: You'll notice they state a variety of output options on the camera on the website:

"RAW 4:4:4 through the dual fiber channel outputs, 4:2:2 out of the HD-SDI output, or record to RED codec. Full raster 2540p, 1080i/1080p, or 720p" Lots of choices. Also, RED Flash system is mentioned for recording, this sounds like some kind of solid state recording to me. Hard drives are also mentioned. It sounds like they are trying to offer a variety of options to a variety of users. Uncompressed RAW, as I wrote about the other day, would be a deleriously huge amount of data, and quite expensive as well. The RED codec, described as available at data rates from 100 down to 19 megabits, sounds like it would serve a variety of markets at a variety of price points. How high for the high end users? How low for the low end? Unclear at this time.

Q: So what's up with this Mysterium sensor?

A: I don't know, but the specs are pretty amazing. Mysterium is still just that - a mystery.

Q: What tape format does it record to?

A: I've seen no tape format mentioned on their website. I've seen lots of data storage devices mentioned, but no tape. There is an HD-SDI tap for those who want to go old school to a tape deck. But it sounds like they want to go "New Skool" and skip tape altogether except for legacy support (and live broadcast type situations, if this camera is applicable there?).

Q: What about lenses?

A: PL mount and custom RED mount, with their own Ultra High Def Lenses. So keep in mind, that opens up all kinds of doors to use existing film lenses. One of the reasons HD lenses have been so expensive is because the biggest sensors have been 2/3 inch at best. The smaller the sensor, the better the glass has to be to focus accurately on that smaller target. Costs go up as tighter tolerances are required, etc.

Q: So, can they REALLY pull this off?

A: Time will tell. If they can draw on Oakley's resources, then yes - they have experience in optics and designing products for use in the harshest conditions. Jim has extensive camera experience and interest himself, and clearly has the personal resources and connections to recruit and support some high level talent for what they don't have inhouse. Before my conversation with them, after I knew Jim was involved but before I'd spoken with them, I felt the biggest obstacles were going to be the expertise to manufacture the serious glass involved in the lenses, and the electronics expertise to pull off the guts of the camera. The only electronics product I had been aware of were the THUMP sunglasses with MP3 player embedded.

But I was extremely impressed with what they had to say, and I heard a lot of good answers back when I expressed doubts and had questions about some things.

This looks like they want to make a radically different camera than what is presently on the market. Others have tried, or are in the process of trying, to get a camera out that will be IT centric, small form factor, large imager, etc. But this looks to be the best funded effort out there.

In summary: if there is going to be a seriously disruptive technology, I feel it pretty much has to come from an outsider company, with no entrenched architecture, infrastructure, or client base to protect. To be successful and long lasting, it also helps to be a well backed venture, with strong engineering and brains behind it. And a marketing machine like Oakley can provide surely can't hurt.

Jim and RED fit the bill to take a serious swing at it.

Based on my conversations with them, I think RED is going about it the right way, and will make exactly the kind of camera that I'd LOVE to work with.

-mike

Labels:

Comments:
If they build it, we will come...
 
Sweet Nectar of the Gods! On the edge of my seat, waiting with bated breath...

(Nice work, Mike.)

Matthew Jeppsen
www.FresHDV.com
 
If they build it, we will come...

If I ever touch this camera, I will come...
 
Mark my words now. Never going to happen. We'll see in a two years who is right and who isn't. It sounds an awful lot like you were won over by their investor presentation. Wanting to make an uber camera no matter how much money you have wont make it so. There are serious engineering problems to produce what they claim they will. If Canon, Panasonic, Sony, Arri, Viper, Grass Valley, and everyone else for that matter can't produce this camera you really think a guy that makes sunglasses for a living will ?

This is very typical vaporware. Sounds like you bought the marketing/investor presentation hook, line, and sinker.
 
Someone needs to "grow a set" and not post hiding behind an anonymous name. ;)
 
You forgot to add Panavision, Dalsa and Lockheed-Martin to the list.

BTW, Arri and Panavision are in for "disruptive" technology, but frankly, the tech is just not there right now for the uber-be-all camera. The largest sensor is in the Panavision with 12 megapixels, that gets sub-sampled down to HD resolutions and written to tape at a very low compression rate in HDCAM-SR with a 10-bit log LUT for maximum dynamic range preservation. But have you seen how LARGE it is? Or how about the Dalsa? same-thing. And they fab their own chips, so they don't have any excuses either.

It will be interesting to see what their "presentation" is at NAB, and basically if it's a call for partners/investors, etc., or if it's actually a shippable product in the near-term.
 
they seem to have updated the red.com webpage...

some random thoughts (could be that some of that is old news, i dont remember):

red codec at full raster 2540p down to 720p with data rates of 100 to 19mbps.. they gotta be kidding. who would spend the money for a camera like this and work with compressions that are higher than DVCPROHD or even HDV? why not make that 400mbps to 100mbps?

recording options now include blue ray.. what's the write speed of first gen blue ray recorders?

sensor now mentions pixel size, 5.4 micron (or is this old news?).

the format page mentions that the sample image was not shot with the real beaf.

with all their technical knownledge they don't seem to have anybody who knows a thing about webdesign ;)
seriously, why waste everybodys bandwith with fat jpegs (at least use png or gif if you dont want to put up searchable text)

chris
 
What the screw? I can't figure out if they are talking about this camera in the third person or the fist person,and it sounds like a developer and plural engineers have a singular voice in this particular conversation if you can read into who was interviewed. From the links, an interest in photoshop filters does not necessarily translate to the next IT cam (pronounced eye-tee cam). Who's talking for Oakley, again? Mike mentions engineers and a dude who can afford a bunch of attainable cameras, I hear sales tools. Companies are forced to be lean and mean, polarized lenses driving a hobby is a beautiful idea and looking through the lens with these sunglasses will probably expose a few of us to the fifth dimension. A non-fixed, interoperable, data muncher is what we think we need. Sunglass Hut can provide...if they're interested.
 
I know that they can build a deck of any type: flash, ram, hard drive. I know that a sensor can be ran and interfaced to this deck.

What I doubt that can be done in a timely manner is the RED codec. I done a quick calculation and Minidv is 5:1 DCT. HDV is 25:1 DCT + Motion compensation. RED is 65:1 with an unknown method. What is more plausible is that they meant MBps instead of Mbps, which would mean a compression of 8:1. People already complain that they can't use HDV that it breaks up under motion, and is difficult to key on. The RED codec at 65:1 will likely be impossible to key on, and get giant macrosblocks everywhere and require the highes end computer just to play back the video without an intermediate codec.

2 Cameras currently exsist that have similar specifications, but actually work. Both are made by NHK with the most recent being a 4K x 8K (32Mpixel) using 16 Hd-SDI links. The camera was more of a demonstration but it is real. It would likely cost a fortune because they needed to have their own sensor made.

So if RED is building their own sensor then their isn't really a chance to get this into the hands of an indie unless they go into heavy production of the camera. R&D for a sensor is quoted at being 250K-500K and then a large cost per unit of sensors. Probably close to the 3K range per sensor. So even if they made 500 cameras the cost per camera is still going to be out of read, as I would guess it would cost 6K-7K to build without any type of recording device and for bare electronics and encasement. Once you start getting to this large a number then you have to deal with insurance and warrenty, and engineers, marketing, etc. So your probably closer to 10K-12K to build so need to sell at 15K-20K for profit and you still don't have a deck.

I don't doubt it can be done. I believe the webpages was slapped up with an unrealistic belief that they can done things based on theory. I'm seeing everyday in my work in electronic engineering of a similar, but lower end product, that its easier to do something in theory then real life. If you want to do it in a timely and cost effective manner compromises and a lot of research has to be done.
 
Mike do try and be more objective. You'll end up being the sucker for any geeky tech company looking for investors otherwise.

Man who make sunglasses about to make best HD camera ever. Sounds like a story found on the Onion to me.
 
What cute, cranky little naysayers!

For what it's worth, Jim Jannard is worth over a billion dollars:

http://www.forbes.com/finance/lists/10/2003/LIR.jhtml?passListId=10&passYear=2003&passListType=Person&uniqueId=S37W&datatype=Person

He's not just "a guy who makes sunglasses". He's "a friggin' rich guy who makes sunglasses".

Maybe nothing will come of it. Maybe something will. But either way, it's just a guy with a powerpoint presentation and a (completely off the wall) dream.

Small companies build fantastic new little cars all the time in history. They're not GM either.

A lot of guys in this thread sound like the fat guy in the hat at the front of the audience eating potato chips and shouting out catcalls.
 
It never ceases to amaze me how negative people in the media and content creation fields get regarding speculation on new technologies. I'm flasing back to lots of conversations with Avid editors. There is more ram, software and firepower in my Powerbook than in the Apollo spacecraft. And back then, if NASA would have read the specs on my Powerbook on a website - they'd have said impossible. Will RED work? Will it be mass produced? Maybe NO ... but maybe YES. If you look at history, you will find major technological achievements and advances by individuals or small companies going up against billion dollar corporations. Without guys like Jim Jannard (or Steve Jobb, Howard Hughs, etc.) we'd never jump forward. And I'm not saying Jim Jannard is going down in history aside the likes of Steve Jobbs or Howard Hughs, but hey ... 100% possible. As for cost of R&D and a custom sensor, etc. - the Varicam is one of the most popular cameras for indies feature films and last time I checked the camera body was around $60K. I think it's very foolish to say "no way ... it can't be done .. it's VAPORWARE" - I can assure you that at this very moment over in Building #5 in Cupertino, on the test bench at Grant Petty's workshop and LOTS of other places their are things at various stages of development that you would never believe. I applaud Mr. Jannard and fully support wealthy, smart mavericks trying to beat the odds. I just wish the community we all work in was a bit less negative and more supportive.
 
actually i think most people do agree that it can be done, the question is for what price and in which timeframe.

if you tell me it's available next summer and is going to cost only 20K, i'm going to shout vaporware... if you tell me that it's going to happen in two years and cost around 80K, i probably agree, but i won't get too excited about it either ;)

chris
 
You have to give Jim Jannard credit. I don't think his conversation with Mike could have turned out better. Without giving out any new information about the camera itself, he and his engineers made Mike into a believer, and got him to write quite a positive post. He's a damn successful guy, with great marketing know-how, and his ability to win over Mike is testiment to that.
Also, digital cameras are such a huge and growing industry. I don't think it's a stretch that a sensor can be manufactured with 60fps ability. Is it? And moving and processing the output is a beast of a task, but we are not talking about a moon landing here.
 
I don't think Mike is a guillible person. He tends to be hyper critical and I do believe that they must have shon him a lot more than marketing guff to get him believing so soundly in RED and that they have the total capability to do so in a reasonably time-frame.
 
What a load of nonsense.

# posted by Anonymous :
Mark my words now. Never going to happen. We'll see in a two years who is right and who isn't. It sounds an awful lot like you were won over by their investor presentation. Wanting
etc..

This anonymous (posts) sounds funny, who is it, sounds almost like what you would expect from a failed competitor from the projects over at dvinfo?

If you look at the big (and tiny) objective picture, you can see that it is possible to sell a platform like this in configurations ranging from mid priced to expensive. 500 sales, something like this could easily do 5K-50K sales, if they are interested in low margins. Most of the comparative companies mentioned have a vested interest to blend in, and make as much money as possible.

The truth is that a basic 720p capable camera system can be done for hundreds of dollars in a mass produced design, over at dvinfo we found that the problem really came down to software to do pro cinema capture and camera control (and the lack of bleeding edge performance embedded real time programming). Today you can probably rig up a system with less than $1000 camera (including on head compression to network output), laptop, if you had the software and external controls.

So for a well funded billionaire, we should put the BS factory (negative spin) behind us, until we see what happens in NAB. I am still far from convinced this will be on the market and relatively cheap, though I find it also difficult to see it going $80K (they can if they want low sales) when $20K (with cheap lens) would open up a flood gate (10K and 5K compressed 100Mb/s low end versions also possible).

I am considering starting a thread at dvinfo alternative imaging forum discussing relative performance of H264 codec, and alternatives, that might offer similar quality to HDV at 65:1 (in motion I don't know) and use on the projects etc. There has just been announcement of another h264 chip for cheap cameras next year. Also the basis of an alternative to a h264 FPGA design has been done by http://www.elphel.com. So there is technical latitude out there for the RED camera to offer descent performance in 720p/1080p 19Mb/s.

http://news.com.com/Upstart+aims+to+bring+HD+camcorders+to+the+masses/2100-1041_3-5989639.html?tag=nefd.top
 
Of course it can be done. If indeed this is a well-financed venture, $10,000 to $20,000 for a cmaera body without including lens or storage seems doable. All the other projects have vested interests. Panavision never sells, and it doesn't want to undercut its film-camera rentals. Arri still produces a line of film cameras, so it prices its HD video cameras in line with them. Oakley has no such baggage to deal with. Besides, who knows what the Mysterium chip really is or what the codec will be? Maybe somebody figure out how to run a DSLR CMOS chip at 60 fps rather than 5 fps. This is an essentially solid-state camera without an expensive tape transport, which alone could cost $10,000 or more. The selection and purchase of lenses is not factored into the price, because a number of solutions -- from relaitvely cheap SLR lenses to the probably astronomically expensive Red Ultra Definition Cinema Lenses -- will be available, and those that already own 35-mm PL-mount film camera lenses will be able to use them. Storage is getting cheap, and Red seems agnostic about storage medium, so that cost will also be externalized. Will Red succeed? Who knows? But its goal isn't techologically infeasible.
 
I'm with others on this who doubt. what kind of fucked up interview is this? third person , first person, what is it? whos talking? and constantly referring to vague facts on the website. I do not know what the hell that interview was about. Leave the reporting to the professionals. Has anyone used a Kinetta? We've been hearing about that for years.
 
Well I think this is great. If they don't pull it off, it will still be great, and Mike won't be proven wrong. He loves that an outsider is taking a swing at something really big and revolutionary. I'm not joe-patriot or anything, but this is the cool side of the American enterprising culture. The attitude that only the big established companies have any business pushing the evelope - well, that's the bad side.
 
Even if in its first iteration we get 1080p60, 30, 24 from a 4K chip with 35mm lenses on affordable solid state storage for under $50K, this camera will render the HDCams of the world irrelevant. And technically, this is doable today...

Especially if it has the possibility of extracting a RAW 4K signal in the future when portable super storage becomes feasible.

Think about it, 4K imager for the all of us today... even if we drive a 1080p signal from it. It'd buy that over a 1440X1080 $100K system... wouldn't you? For half the price?
 
Probably one of the biggest hurdles will be negotiating royalties and licensing patents. As an EE I realize how much time it takes to design and test systems. We've seen that portable cameras are possible and we've seen that small laptop computers are possible. This kind of system will basically require a mobile computer platform rather than an embedded chipset. Most of the design can be handled in software on top of an OS (real-time Linux, possibly) with hardware systems designed to handle the desired maximum bandwidth.

I just don't see why it can't be done in a portable and fairly inexpensive design (say $6000 USD). With marketing and loyalty from the Oakley user base, then this could be a big seller at a low price point. I'm also ignorant of the actual design of a video/film camera system, so I could be dreaming...
 
I think most of us (from hi-tech nerds to content creators like myself) are currently slightly lost in all the developments, becasue we all know that 2006 is going to be the real breakthrough year of HD. The only thing is that we don't really know in what kind of format the Messiah will come (BluRay, HD, 720P, 1080i. 2K, 4K??).
We know however what we want (4K For Everyone). Let's wait NAB to see what's really going to happen. And let me just quote one of the 20th Century's greatest philosophers said: Think Different
 
That's the spirit we'll need... go for it guy. If the Camera is out by 2007 and below 15K... I'm in. There are a lot of people like me, who get DVCPro HD... if we're lucky... I don't need RAW... anything better that 100mb/s is fine for me... we wouldn't use more that 2K resolution anyway (who the fuck produces for cinema)... where is the medium to use that reolution. Give us a "Red" or whatever codec that writes 50 Mbytes/s on a HDDRaid like the Lacie Bigger Disk Extreme (yeees... ist does write 50 Mbytes/s via FireWire 800). I never found out a real major + in the RAW image anyway... barely used it on my Canon DSLR... even when I do digital touch up. You can torcher the hell out of a JPG at maximum quality whithout noticeable artifacts or else... the quality remain waaayyyy better that any digital Video I have ever seen, inkluding Footage from the Viper.

So... get lost with all the RAW talks... 300mbs for 2K at 25 (we live in PAL country) is acceptable for us if a codec uses this bandwith wisely.

Keep up the Spirit you Red guys... no risc no fun. It's about time that somebody kicks some butts in this protected market. Just because the kinetta guys don't do it... doesn't mean it can't be done.

A wise one at the end:

The Titanic was built by professionals... the Noah's Arc by a amateur...

Think about it
 
Oh yeah... about the desing... think different... how about a nice 2K resolution LCD with 21Inches instead of a viewfinder... I want to see... not guess... that my picture is in focus. Handels to the left and to the right... optics on the backside... and mayby a steadycam belt to carry the weight. Power, drives, etc. can go in a backpack... and give it a lot of power... my back can carry 15Kg batteries without getting tired.
 
To all those bewildered by the tone and mixed voice of the piece - please see the blog entry posted above this one about the format of this article - it was intended as a fictitious Q&A between a blog reader and myself, and in my haste to get the information online I failed to get the extra line or two in there to explain the format.

-mike the blogger
 
We barely had affordable HD cameras in the marketplace and now this hunger for an affordable 4k camera. Why??

I mean do you honestly think it's important as an indie filmmaker that you must have a 4k camera??

It's not easy to work in 4k even if it's compressed. Visual effects, motions graphics, color grading all adds to really heavy render times.

Try taking footage shot in HDV and do some rotoscoping, throw on some nice title animation, color correcting and see how long it takes to render.

I can't imagine 4k being indie friendly or affordable even in 2 years with the advances of hardware.

If the Red camera comes out, great. Though I think it takes more than money and passion to create something so cutting edge.
 
Thomas,

I think you are missing the point about 4K.

In my opinion, 4K doesn't necessarily mean working with 4K in post. It means something much more exciting. It means using 35mm cine lenses without having to buy a mini 35mm adapter. It means getting a 35mm DOF out of the box. And it also means getting the highest possible resolution as your source even if out of the camera, you'll only use 1080p24 until working with 4K becomes more convenient.

Think about shooting 35mm... most of that content, in the last few decades at least on TV was only SD throughout the complete post process (sitcoms, series, etc...)

So 4K is about the best possible image capture.

Plus, it doesn't hurt to also have the ability to do 4K throughout the process with your camera should you need to for theatrical work but I suspect that this will require cumbersome and expensive storage as well as workflow, at least for a while.

But for now, give me a 4K camera, I'll rent some decent lenses and generate a 1080p24 film with it.
 
The funny thing is you CAN get 35mm DOF with 2/3" chips and lenses-the only problem is that most 3-chip designs only allow you to open up to a f1.7 f-stop because of the prism block. Without the prism-block, you can, for instance, use Zeiss Superspeeds or the Russain Optar lenses and get very nice 35mm-like DOF when you open the lens up to f1.3. At that aperture, you're seeing approximately the same amount of DOF as a f2.8 in 35mm, which is pretty shallow DOF.

So all this talk about needing a 4K sensor for 35mm-DOF is nonsense-you can do it right now with a 2/3" Chip, you just need the right lenses (either Zeiss Digiprimes or get a prismless design and use Superspeeds or Optars).
 
I still prefer a 4K sensor over a single 2/3" for the price. Other than Kinetta, which isn't yet shipping, I don't know of any single 2/3" chip cameras?

Anyway, I wouldn't call the ability to use 35mm cine lenses nonsense, this is the very foundation most digital cinema companies based their products on (Panavision, Arri, Dalsa).
 
Well Genesis is an HD camera that has 35mm DOF out of the box.

I don't think it'll be that long before a competitor does the same.

Is the image from a 4k camera downsampled to 1080 worth the extra expense than an HD camera? That is debatable.

There are small number of films doing 4k digital intermediate, have you noticed a difference between a 4k DI and a 2k DI?

In the end these are just tools. It's always nice to have the best tools, but that shouldn't overwhelm the other aspects of your films.
 
What if the 4k camera was cheaper than the expensive HD camcorder?
 
Panasonic's HVX200 tops out at $10k
Canon's HDV camera is $9k
Sony's Z1U is $5k
JVC's HDV camera is $7k.

Opinions may differ, but these cameras fall into the HD realm.

Do you honestly think a 4k camera is going to be cheaper than this, especially 2 years from now??
 
Thomas,

I think you are missing the point again.

You listed 1/3" CCD cameras and challenge a 4K chip camera to beat their prices??!!

At least, compare Apples with fruits.

Unless of course you think the cameras you listed perform as well as the 2/3" high end cameras (HDCam, EditCam, Varicam). If so, then I'm sorry.
 
He may be rich but, he doesn't have the money for what he wants to bring to market. He needs investors. Lots and lots of investors. Hence this red.com hype fest we're seeing. I actually didn't care till I saw it interrupt my regularly scheduled programming. It reminds me a lot of the good old dotcom days.

There are only so many people that can afford a $50k plus camera system. They will never buy a first generation camera from an unknown company no matter how great it is. Feature film makers will not trust their work to it for years. I just don't see the way to sell this unless he gets some name director on board like Sony did with Lucas.

This isn't going to be a cheap camera. They aren't even claiming it will be.
A high quality HD lens for whatever 'uber' sensor they plan to make is going to be hell of expensive. Lenses never get cheaper. To buy a decent 2/3" lens now is almost $20k. And that's just a decent one. This is a industry standard lens that is produced in somewhat high numbers. How are they going to make their own lens and sell it for less ?

I'll be the first in line for one of these if it was to equal what they want to deliver. One concern I have is if this isn't just an attempt to show prior work when they patent a raw shooting video camera without ever making one. Then sue the first guy that makes when when we actually have the technology for one. This happens all the time. Just ask Blackberry.
 
Hmm actually looks like Sony already did patent it. That's going to be hard to get around. http://patft.uspto.gov/netacgi/nph-Parser?Sect1=PTO2&Sect2=HITOFF&p=1&u=/netahtml/search-bool.html&r=1&f=G&l=50&co1=AND&d=ptxt&s1=RAW.TTL.&s2=Video.TTL.&OS=TTL/RAW+AND+TTL/Video&RS=TTL/RAW+AND+TTL/Video
 
the one thing that makes me think 'forgetaboutit' is they mention building their own lenses...i doubt they'll top the arri or panavision primes..maybe they just build new housings for existing lenses :/

also yesterday i was looking for new sunglasses and from an industrial designers perspective i was marveled by the quality of some plastic injection/lost wax casting parts of some brands. but when i looked at the okley glasses, they were poorly manufactured - so poorly that those chinese 'bootlegs' you can buy on the street actually have superior quality :o
 
Quote from anonymous:

"...but when i looked at the okley glasses, they were poorly manufactured - so poorly that those chinese 'bootlegs' you can buy on the street actually have superior quality :o"

This is the most ridiculous claim I've read for a while. This completely discredits anything "anonymous" has to say. Why hide behind anonymous?

Oakley is the absolute standard of quality in the sunglasses business. In frame quality as well as lenses... Do you research and you'll see. But I get the feeling that you already know that and that you will make such ridicuous claims at any cost.

Some people just have to be ignored.
 
Quote from anonymous:

"...He may be rich but, he doesn't have the money for what he wants to bring to market. He needs investors. Lots and lots of investors."

You really sound like an expert on camera manufacturing and it sounds like you have amazing insight on Oakley's capabilities and resources.

You know, you don't have to post if you have nothing valuable to contribute.
 
Not all the anonymous people here are the same "anonymous" :)
 
I'd bet the sensor is a DALSA, similar to the Kodak/Creo/Leaf sensor.

Also, grabbing that frame rate from the sensor is not that hard. One merely needs the bandwidth, and let me tell you, fiber has the bandwidth.

Storage? It will likely be FiberChannel to a SAN as an option, which can be configured, with todays (yesterdays?) technology for extremely fast sustained writes and reads.

Cost? Scenario 1: Camera: I'd say 150k (heck, even the Panasonic HVX2000 is around 60k), and SAN will cost you about 25k. Software API's and CODEC's will be priced per seat, and for the rendering farms, probably at 2500/seat.

I'd wager that the FLASH solution would be similar to the Panasonic P2, but with denser memory, maybe Samsung, and good enough for a few shots on location.

Me: I'm thinking of setting up a business to produce ruggadized SAN enclosures for location shoots. Call me 800 966 1337 if you want to work on the project.
 
my first thought is that the name "Red" comes from the fact they are using Russian Military technology as a base for their product. Lenses and Still Cameras coming out of Russia can be VERY high quality, and the result of military budgets and ultra brilliant scientists.
 
I am about to head out to NAB and a friend of mine told me to check out this camera. So I looked at my packet of information for where the booth was going to be setup for this company. HMMM... no listing for RED, Oakley, or much of anything. An exibitor must register and pay for the space at the convention. If you look at the NAB website under the news section, you will see where there media will release that a big announcement will be made for other companies. Not specifying what, but if it is as huge as this, then why no coverage from NAB. People are talking about it revolutionizing the industry, if so NAB would hype that this is going to be reveiled or announced. i have been to NAB for the last 7 years and know the trend of NAB. When apple makes huge announcements you hear about it on there website or other reputable that an announcement is going to be made, "Think Secret" and sites as such may have the scoop, but you do know that Apple will make an announcement. Where on RED.com does it say anything as a Press Release or announcement. If anyone knows the booth # at NAB please tell me. It can't be a person with a sign that says red.com walking around the convention center. I will be enjoying NAB and hope to hear people looking for the camera that will not be there.
 
My bad, I do see Red Digital Cimena on my NAB map now. I will take a look.
 
Does anyone know if this camera will have a mechanical shutter? I think this is key in avoiding the 'video' look.

thanks
 
I think the FXGuide.com podcast has commented on the final price of this camera. They said it was something around 24,000 US Dollars with 1 lens. But it may be speculation.
 
Note to naysayers....

When you have a billion dollars and PASSION about camera technology, you can do whatever you want.

RED has hired some of the top engineers in imaging science, optics and data compression to develop a camera that is a dream come true for filmmakers.

For those of you that are bitching that they're only trying to snare investors, if you did a little research you'd see that they are a PRIVATELY HELD COMPANY and aren't seeking investors.

I think if Apple and AJA are on board to support RED, there's probably a little more happening behind the scenes than we are privvy to.

Filmmakers have long been held hostage to the manufacturers of our tools. Do you think KinoFlo really has enough costs in their lights to justify the $1000 price tag? Is that dolly wheel really WORTH $5000? No, we're just getting screwed by business models.

Red wants to make the technology more attainable and I cheer for them. In fact, I hope they get into the lighting, motion control and rigging business while they're at it.

Their motives seem pure, the technology is coming and a lot of naysayers will be eating crow this time next year. And I'll be there filming it in glorious 4K.
 
It has already happened, it will go on sale early next year (2007) Watch and see sony, pana and others sh*t their pants cause they can't screw people anymore with outdated technology>!
 
A new forum is now open for Red Camera enthusiasts! Check it out at:

www.RedCamCentral.com
 
For those people out there who still disregarded the Red One from day one, it is now becoming clear that the camera stands up well in filming conditions. Yes there have been teething problems along the way (heat problems etc) but more and more people are using the camera and being more than satisfied with the resulting images.

The Red One camera is becoming available throughout the UK for hire for those who cannot afford to buy one. Camera Speed has already delcared the rates it is hiring the camera for.

www.cameraspeed.co.uk
 
This post has been removed by a blog administrator.
 
So, is anyone out there going to actually eat their words if they are wrong and red scarlet is real?
 
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一般的酒店經紀只會在水水們第一次上班和領薪水時出現而已,對水水們的上班安全一點保障都沒有!艾葳酒店經紀公司的水水們上班時全程媽咪作陪,不需擔心!只提供最優質的酒店上班環境、上班條件給水水們。
 
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艾葳酒店經紀公司提供專業的酒店經紀, 飯局小姐,領檯人員,領台,傳播妹,或者想要到台北酒店林森北路酒店,私人招待所,或者八大行業酒店PT,酒店公關,酒店兼職,想去酒店上班, 日式酒店,制服酒店,ktv酒店,禮服店,整天穿得水水漂漂的禮服酒店,鋼琴酒吧酒店領檯,酒店小姐,公關小姐??,還是想去制服店上班小姐,水水們如果想要擁有打工工作、晚上兼差工作兼差打工假日兼職兼職工作學生兼差兼差打工兼差日領工作晚上兼差工作酒店工作酒店上班酒店打工兼職兼差兼差工作酒店上班等,想了解酒店相關工作特種行業內容,想找打工假日兼職兼差打工、或晚班兼職想擁有快速賺錢又有保障的工作嗎???又可以現領請找專業又有保障的艾葳酒店經紀公司!

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一般的酒店經紀只會在水水們第一次上班和領薪水時出現而已,對水水們的上班安全一點保障都沒有!艾葳酒店經紀公司的水水們上班時全程媽咪作陪,不需擔心!只提供最優質的酒店打工,酒店上班,酒店打工環境、上班條件給水水們。心動嗎!? 趕快來填寫你的酒店上班履歷表

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現在、100世帯の分譲マンションのうち、20世帯ほど賃貸してます。不動産管理会社に委託しているのですが、大田区以前お願いしていた会社が倒産し、今は別のところへお願いしています。

 先日10年賃貸 北区んでいた方が引っ越しされる際、敷金を返金して欲しいと言われました。賃貸 江東区よくよく契約規約を見ると「敷金は返金しません」という事が記載さ れておらず、賃貸 品川規約と違う…との事なんです。その規約を作成したのは以前の不動産会社で、賃貸 渋谷チェックしなかった私共も悪かったのですが、どうにかならないもの でしょうか?金額は15万円ほどです。10年も住んでおられたんで手直し箇所も多いです賃貸 新宿。どうにかならないものでしょうか?よきアドバイスをお願い致しま す。
 敷金は本来、賃貸 杉並賃料の未払いに備える担保であり、未払いなく契約が終了したら原則として返却すべきものです。

 賃貸借では、賃貸 世田谷家主は建物を貸す賃貸 中央区借家人はこれを賃料を払って借りる、貸すことに伴う通常の賃貸 千代田区消耗は賃料の中で計算して処理するというのが本来の賃貸借の原則です。

 建設省の方針などでも、賃貸 池袋今後の消費者保護の流れでも、賃貸 中野こういう内容の明確化を進めないといけないと思います。

 ですから、賃貸 文京区敷金は未払いがなければ原則返却という事を前提として、賃貸 港区消耗分は賃料の中に入れる方向で賃貸 目黒経営を明確化していくべきだと思います。

 そうでないと賃貸 新築とのトラブルが増えるし、社会的賃貸 ペット可にも理解を得られなくなると思います。

 住宅ねっと相談室の「賃貸 楽器可」にもありますが、建設省のホームページの賃貸 手数料なし住宅における「賃貸 保証人不要」もご参照ください。 賃貸 駅5分以内マンションの更新料支払いを義務付けた契約条項は消費者契約法に違反するとして、京都市の男性が貸主に支払い賃貸 部屋探し済みの更新料など約55万円の返還を求 めた訴訟の控訴審判決が27日、大阪高裁であった。東京 部屋探し成田喜達裁判長は「更新料は消費者の利益を一方的に害し、無効」との判断を示しデザイナーズ 賃貸、一審・京都地裁の判決 を変更し、更新料など45万5千円を返還するよう貸主側に命じた。賃貸 分譲仕様貸主側は上告する方針で、最高裁の判断が焦点となる。

 「入居2年で家賃2カ月分」賃貸 中央線といった更新料の設定は、首都圏や京都などで商慣行化しており、対象物件は100万件に上るとされる賃貸 京浜東北線。同種訴訟では7月、京都地裁が別の事案で更新料を無効とする判断を示し貸主側が控訴中だが、賃貸 京王線高裁レベルでの無効判断は初めて。

 訴訟は「消費者の賃貸 東横線利益を一方的に害する契約は無効賃貸 丸ノ内線」とする消費者契約法の規定に、更新料契約が該当するかどうかが主な争点だった
 
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