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High Definition Video for Independent Filmmakers
A How To Guide for Digital Filmmakers
Welcome all! This is my blog to share my latest research,
thoughts, etc. on utilizing HD for independent filmmaking.

YES, I am available for consulting
Contact me at mike@hdforindies.com

All content copyright 2004-2007 Mike Curtis.

Friday, June 09, 2006

Film & Video | Shoot It on the Virtual Backlot 


Film & Video | Shoot It on the Virtual Backlot


Using greenscreen and backgrounds (even tiled backgrounds) for quickie faux location shoots. Not matte paintings, virtual environments. Can't fly your crew to Chicago? Look into stuff like this.
Comments:
That seemed to be the big 'thing' at NAB this year. So much virtual set stuff I could hardly keep track of it all.

What does, "Each camera is outfitted with a nodal camera head that enables pan or tilt with no perceptual shift. In other words, a tilt from the top to bottom of the Eiffel Tower or a full 360-degree pan from the top of the London Tower fills out this virtual universe." mean ?
 
In other words, they are using a 3 axis gearhead. That extra axis, call it z, is for tracking the nodal point of the lense. Moving the camera around that, instead of on the head where the camera is mounted. As they mentioned, it provides no perceptual shift.

Using that footage from a fixed nodal point, completely different shots on that same z axis can be stitched together to create vast matte sets, of which the green screen components are then integrated. Finally, virtual camera moments are made through the stitched shot with the green screen parts and voila...finished shot. Hope I explained this right...someone please correct if I'm wrong.
 
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