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High Definition Video for Independent Filmmakers
A How To Guide for Digital Filmmakers
Welcome all! This is my blog to share my latest research,
thoughts, etc. on utilizing HD for independent filmmaking.
YES, I am available for consulting
Contact me at mike@hdforindies.com
All content copyright 2004-2007 Mike Curtis.
Tuesday, September 26, 2006
Final Cut Pro 5.1.2 is OUT! 24p HDVers REJOICE!
Go and hit up your Software Update folks - Final Cut Pro 5.1.2 is available right this minute.
Based on what I saw at IBC, new features should include:
-24p HDV support for Canon XL H1 and JVC GY-HD100U/HD110U
-improved scopes that are live during playback
-improved XML import/export
-and more stuff
From the limited Software Update info:
Final Cut Pro Update 5.1.2 provides important bug fixes and compatibility updates for certain Canon, Sony, JVC and Panasonic devices. This update is recommended for all Final Cut Pro 5.1 and Final Cut Pro 5.1.1 customers.
Compressor also got an update to 2.3 in the last day or two as well, no useful details given.
CinemaTools gets an update as well - Cinema Tools 3.1.2 addresses inter-application compatibility and fixes some potential issues with reverse telecine when using files larger than 9 GB. ...which will be relevant for folks working with big HD files.
There's also a Pro Apps Update as well - more info here, relevant parts:
HDVCodec
HDVCodec addresses compatibility issues with Sony's XDCAM-HD 1080p24 25 Mbps CBR format and playback for the XDCAM-HD 540-line VFR formats.
This update is required for customers using Final Cut Pro 5.1.1 and the "Cine Alta" filmmaker features of Sony's XDCAM-HD cameras.
Uncompressed 422
Uncompressed 422 delivers a fix for changes in color-space and/or gamma when moving clips between Final Cut Pro and Adobe After Effects and addresses a codec issue leading to drawing errors in 16bpc After Effects projects. It also fixes discrepancies found between former AltiVec and the current Intel (scalar) code and delivers some performance improvements on Intel-based Macs.
This update is required for customers using Final Cut Pro 5.1 and recommended for customers using any of the Final Cut Studio 5.1 applications and Shake 4.1.
IMXCodec
IMXCodec delivers a fix for ARGB encoding on Intel-based Macs.
This update is required for customers using Shake 4.1 and recommended for Final Cut Studio 5.1 customers.
LiveType Support
This fix improves application stability when doing round-trip edits between Final Cut Pro and LiveType or Final Cut Express and LiveType. This also addresses an issue where LiveType could cause OverTheEdge's Unity to stop responding.
This update is required for customers using Final Cut Pro 5.1 and Final Cut Express HD 3.5.
FxPlug
FxPlug delivers a single image-processing plug-in architecture for pro applications.
This update is required for customers using Motion 2.1
Requirements for the Pro Applications Update 2006-01
Mac OS X 10.4.4 or later
QuickTime 7.0.4 or later
From the PDF on Late Breaking News for Final Cut Pro 5.1.2
Final Cut Pro 5.1.2 addresses effects compatibility issues and video format compatibility,
and resolves long-standing issues with video scope performance and audio output. For
updated information about format support, choose HD and Broadcast Formats from
the Final Cut Pro Help menu.
Note:
The Download Only option in Software Update is disabled for the Final Cut Pro 5.1.2
software update package.
HDV Format Support and Easy Setups
Final Cut Pro 5.1.2 includes native support and corresponding Easy Setups for the
following HDV formats:
Â
720p24 and 720p25 (JVC GY-HD100 ProHD camcorder)
Â
1080p24 and 1080p25 (Canon XL H1 HDV camcorder); also called
1080F24
and
1080F25
DVCPRO HD 720p25 and 1080pA24 Support
Final Cut Pro 5.1.2 updates compatibility with DVCPRO HD camcorder devices by adding
two new Easy Setups:
Â
DVCPRO HD 720p25:
This Easy Setup is used for native editing of DVCPRO HD 720p25
footage imported from Panasonic P2 cards. Final Cut Pro does not support
DVCPRO HD 720p25 capture from or output to tape.
Â
DVCPRO HD 1080pA24:
This Easy Setup is used to capture and output DVCPRO HD
1080p24 footage with advanced pulldown (2:3:3:2) to and from tape. This format uses
the same advanced pulldown technique as NTSC 24p. The footage on tape is actually
recorded at 29.97 interlaced frames per second (fps), but Final Cut Pro removes
redundant fields, resulting in a 23.98 fps progressive scan QuickTime movie on
your scratch disk.
Panasonic P2 Support
Compatibility issues with Panasonic P2 camcorders have been resolved. For more
information, see the Panasonic P2 chapter in the HD and Broadcast Formats document,
available from the Final Cut Pro Help menu.
Sony XDCAM HD Editing Support
Final Cut Pro 5.1.2 supports native editing of XDCAM HD. Ingest and export of XDCAM
HD video requires additional software from Sony. You can find out more about the
XDCAM and XDCAM HD formats at http://www.sony.com/xdcamhd.
For a thorough explanation of how to use XDCAM HD with Final Cut Pro:
Â
In Final Cut Pro, choose Help > HD and Broadcast Formats and refer to the chapter
about XDCAM HD.
Â
See http://bssc.sel.sony.com/BroadcastandBusiness/markets/10014/docs/
FCP_XDCAMHD_whitepaper.pdf.
Real-Time Support for MPEG IMX at 30 Mbps
Final Cut Pro 5.1.2 solves an issue that allows real-time playback and effects support for
MPEG IMX at 30 Mbps (this includes both NTSC and PAL standards).
There's more, just keep reading, especially pages 6 & 7 about live video scope output. Actually, just keep reading - I'm sitting in a theater at FantasticFest, about to watch Shinobi...
-mike
Based on what I saw at IBC, new features should include:
-24p HDV support for Canon XL H1 and JVC GY-HD100U/HD110U
-improved scopes that are live during playback
-improved XML import/export
-and more stuff
From the limited Software Update info:
Final Cut Pro Update 5.1.2 provides important bug fixes and compatibility updates for certain Canon, Sony, JVC and Panasonic devices. This update is recommended for all Final Cut Pro 5.1 and Final Cut Pro 5.1.1 customers.
Compressor also got an update to 2.3 in the last day or two as well, no useful details given.
CinemaTools gets an update as well - Cinema Tools 3.1.2 addresses inter-application compatibility and fixes some potential issues with reverse telecine when using files larger than 9 GB. ...which will be relevant for folks working with big HD files.
There's also a Pro Apps Update as well - more info here, relevant parts:
HDVCodec
HDVCodec addresses compatibility issues with Sony's XDCAM-HD 1080p24 25 Mbps CBR format and playback for the XDCAM-HD 540-line VFR formats.
This update is required for customers using Final Cut Pro 5.1.1 and the "Cine Alta" filmmaker features of Sony's XDCAM-HD cameras.
Uncompressed 422
Uncompressed 422 delivers a fix for changes in color-space and/or gamma when moving clips between Final Cut Pro and Adobe After Effects and addresses a codec issue leading to drawing errors in 16bpc After Effects projects. It also fixes discrepancies found between former AltiVec and the current Intel (scalar) code and delivers some performance improvements on Intel-based Macs.
This update is required for customers using Final Cut Pro 5.1 and recommended for customers using any of the Final Cut Studio 5.1 applications and Shake 4.1.
IMXCodec
IMXCodec delivers a fix for ARGB encoding on Intel-based Macs.
This update is required for customers using Shake 4.1 and recommended for Final Cut Studio 5.1 customers.
LiveType Support
This fix improves application stability when doing round-trip edits between Final Cut Pro and LiveType or Final Cut Express and LiveType. This also addresses an issue where LiveType could cause OverTheEdge's Unity to stop responding.
This update is required for customers using Final Cut Pro 5.1 and Final Cut Express HD 3.5.
FxPlug
FxPlug delivers a single image-processing plug-in architecture for pro applications.
This update is required for customers using Motion 2.1
Requirements for the Pro Applications Update 2006-01
Mac OS X 10.4.4 or later
QuickTime 7.0.4 or later
From the PDF on Late Breaking News for Final Cut Pro 5.1.2
Final Cut Pro 5.1.2 addresses effects compatibility issues and video format compatibility,
and resolves long-standing issues with video scope performance and audio output. For
updated information about format support, choose HD and Broadcast Formats from
the Final Cut Pro Help menu.
Note:
The Download Only option in Software Update is disabled for the Final Cut Pro 5.1.2
software update package.
HDV Format Support and Easy Setups
Final Cut Pro 5.1.2 includes native support and corresponding Easy Setups for the
following HDV formats:
Â
720p24 and 720p25 (JVC GY-HD100 ProHD camcorder)
Â
1080p24 and 1080p25 (Canon XL H1 HDV camcorder); also called
1080F24
and
1080F25
DVCPRO HD 720p25 and 1080pA24 Support
Final Cut Pro 5.1.2 updates compatibility with DVCPRO HD camcorder devices by adding
two new Easy Setups:
Â
DVCPRO HD 720p25:
This Easy Setup is used for native editing of DVCPRO HD 720p25
footage imported from Panasonic P2 cards. Final Cut Pro does not support
DVCPRO HD 720p25 capture from or output to tape.
Â
DVCPRO HD 1080pA24:
This Easy Setup is used to capture and output DVCPRO HD
1080p24 footage with advanced pulldown (2:3:3:2) to and from tape. This format uses
the same advanced pulldown technique as NTSC 24p. The footage on tape is actually
recorded at 29.97 interlaced frames per second (fps), but Final Cut Pro removes
redundant fields, resulting in a 23.98 fps progressive scan QuickTime movie on
your scratch disk.
Panasonic P2 Support
Compatibility issues with Panasonic P2 camcorders have been resolved. For more
information, see the Panasonic P2 chapter in the HD and Broadcast Formats document,
available from the Final Cut Pro Help menu.
Sony XDCAM HD Editing Support
Final Cut Pro 5.1.2 supports native editing of XDCAM HD. Ingest and export of XDCAM
HD video requires additional software from Sony. You can find out more about the
XDCAM and XDCAM HD formats at http://www.sony.com/xdcamhd.
For a thorough explanation of how to use XDCAM HD with Final Cut Pro:
Â
In Final Cut Pro, choose Help > HD and Broadcast Formats and refer to the chapter
about XDCAM HD.
Â
See http://bssc.sel.sony.com/BroadcastandBusiness/markets/10014/docs/
FCP_XDCAMHD_whitepaper.pdf.
Real-Time Support for MPEG IMX at 30 Mbps
Final Cut Pro 5.1.2 solves an issue that allows real-time playback and effects support for
MPEG IMX at 30 Mbps (this includes both NTSC and PAL standards).
There's more, just keep reading, especially pages 6 & 7 about live video scope output. Actually, just keep reading - I'm sitting in a theater at FantasticFest, about to watch Shinobi...
-mike
Comments:
wait, did i see DVCPRO HD 720p25 support sneaking around here?
better late than never i guess, but in the meantime i shot that last flick on the Z1E and must say that for price/convenience/image quality this cam is impossible to beat.
++ chris
better late than never i guess, but in the meantime i shot that last flick on the Z1E and must say that for price/convenience/image quality this cam is impossible to beat.
++ chris
So does this update to final cut fix some of the issues you mentioned earlier in the day regarding the YUV to RGB problems when going to After Effects and Shake after rendering a quicktime movie? I have worked in Shake the last year or so and have found it extremely annoying that an uncompressed 10 bit file, (Say) rendered from final cut and brought into shake has a very obvious gamma problem when re-rendered from shake in the same uncompressed 10 bit codec. I have had to use the quicktime tiff output to get accurate renders that have the same look as they did when i rendered out of final cut.
the gamma change is a different effect and actually quite a desirable one as it gives you full manual control you can easily work around it by using an appropriate LUT.. plenty of information about that on the web.
without having downloaded the new update, i'm fairly sure that the clipping of YUV superwhites still is there since that would need a major update to QT rather than FCP.
++ chris
without having downloaded the new update, i'm fairly sure that the clipping of YUV superwhites still is there since that would need a major update to QT rather than FCP.
++ chris
Got it installed 'cause I'm in a safe zone between projects. I've had it installed for all of 10 minutes so far.
First reaction: the real-time scopes are fun to watch and look much softer than prior versions.
It's nice to be able to scan the scopes while you scrub around editing for any massive spikes.
Motion FX plugs available within FCP - wow, very useful. Saves some extra steps if all you need is a slick visual effect and don't need to build a separate sequence in Motion to get to it. Great new feature for me.
Without testing it I do agree that the previously mentioned YUV to RGB issue isn't going to be solved at this time.
First reaction: the real-time scopes are fun to watch and look much softer than prior versions.
It's nice to be able to scan the scopes while you scrub around editing for any massive spikes.
Motion FX plugs available within FCP - wow, very useful. Saves some extra steps if all you need is a slick visual effect and don't need to build a separate sequence in Motion to get to it. Great new feature for me.
Without testing it I do agree that the previously mentioned YUV to RGB issue isn't going to be solved at this time.
I'm curious if this update will mean anything for those of us who want to use 25p HDV conformed to 24p HDV...
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