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High Definition Video for Independent Filmmakers
A How To Guide for Digital Filmmakers
Welcome all! This is my blog to share my latest research,
thoughts, etc. on utilizing HD for independent filmmaking.

YES, I am available for consulting
Contact me at mike@hdforindies.com

All content copyright 2004-2007 Mike Curtis.

Thursday, July 05, 2007

NewTek ships SpeedEDIT v1.2 

-resolution independent
-new format support
-improved plugin capabilities
-WMVHD, VC1 and Windows Media Format 11 file writing support
-VST audio filter plug-in support
-DVCPro HD (MXF) file reading
-Real-time Output support for NewTek video hardware cards
-Time Code burn-in for both local and project timecode
-Advanced Crossfade types
-"Improved performance, quality, and stability"
-Floating point HDR image reading
-Expanded DVD-format writing capability
“Working with multiple formats, frame rates and resolutions is a must in today’s production industry. At the same time, speed is paramount to staying competitive.” said Ted R. Ruiz Sr., Owner, Ad-Venture Video Productions “With NewTek’s SpeedEDIT handling DVCPro files of all types on one timeline in real time, I can’t think of any reason to use another product. My workflow just got more effieicent with SpeedEDIT 1.2”.

-$495

I'm not a fan of using off-major software for serious narrative projects. But good to know fast, affordable stuff is out there.

But I can think of lots of reasons to use another product.

: )

-mike

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Comments:
Hmmm - I would not call NewTek Off Major software. They have been around a long time - Starting with their Video Toaster product - They also make live switchers so they have a lot of experience with video. Their Lightwave 3D app was used for a lot of 300's shots (as well as Titanic and a pletora of other projects).

My only issue with SpeedEdit is that I cannot afford the time to learn a new tool like this when I have one that meets my needs.
 
B-Scene - TRUE - they've been around a long time. But the Majors are the AAA - Apple/Avid/Adobe in my book. And the infrastructure around an NLE is at LEAST as important as the NLE itself, so it matters.
 
I view Newtek almost the same as I view Avid: A lot of innovation in the 80s, but they're behind everyone else now... but the reason I don't like Newtek is because their REALLY into using exclusive, proprietary codecs on all their products.

For example, playing .RTV files, the toaster's native format, without Newtek's software or hardware is almost impossible. They released an After Effects plugin for .rtv files a long time ago, but the plugin has been unmaintained since AE 6.0. What's worse is that the license agreement reads like a ransom note.

Since you really can't just play media with sound normally in AE, there's no way to simply watch the file with sync sound without transcoding it through After Effects. And if you upgrade to a Mac, you won't be able to watch your old footage at all!

SpeedEdit now throughs another "exclusive" codec into the mix: SpeedHQ. Count me out.

And finally, if you're not mixing formats on one timeline, there is no reason at all that SpeedEdit is faster than well... anyone else. The only proof that Newtek shows that it's faster than the rest at editing is an iMovie-like "storyboard mode" that doesn't even work right if you are editing with multiple tracks.
 
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