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High Definition Video for Independent Filmmakers
A How To Guide for Digital Filmmakers
Welcome all! This is my blog to share my latest research,
thoughts, etc. on utilizing HD for independent filmmaking.

YES, I am available for consulting
Contact me at mike@hdforindies.com

All content copyright 2004-2007 Mike Curtis.

Sunday, September 02, 2007

Live photo blogging from a Red shoot...with stunt cars 

I'm live photo blogging from my iPhone from an airfield in NJ shooting on Reds 6&7 from Offhollywood

Link is http://gallery.mac.com/mikedcurtis/100164#grid

Login : hd4nds
password: mikey

If doesn't work comment and I'll see what i can do.

UPDATE 10pm - we got back, unpacked the van & vehicles after sprinting upstairs to the bathroom (Mark chanting "Mind over bladder." the last 30 minutes of the looooooong drive back), and got some pizza. Whew! What a day. We're all glowing...whether more from pride, satisfaction, or sunburn is hard to say.

Here's some stuff I wrote earlier:

Another great day - spent the day shooting with Mark, Aldey & Pliny from Offhollywood Pictures (& Offhollywood Studios) and a cast and crew of 20 shootin car stunts all day. If you haven't seen the pictures, they're posted, see link above.

I did a little prep work and was able to live photo blog from my iPhone (live photo blogging, from iPhone, about the Red Camera - isn't that some kind of a Geek's Hat Trick?).

As you can see, we had a lot to work with:

-two Red Ones *(6&7, the first ones not Jim Jannard's)
-stunt coordinator
-4 stunt car drivers
-6 stunt cars of the beater variety
-one shiny new white Dodge Charger
-camera car with crane
-several DPs
-4 HVX200 witness cams for BTS stuff (that in itself was kind of ironic - I talk to so many indies straining to shoot their piece with a single HVX, we had four...just for behind the scenes)
-about 10 more people to grip/gaffe/rubberneck/help/PA/etc.

...and everybody chipped in their time today off the clock - we all just wanted to get hands on and do stuff.

Fast moving white cars in broad daylight, not even clouds to help - excellent exposure test subjects. No dulling spray or any tricks, no time on this rugged run 'n gun indie style shoot.

We shot all kinds of fun dramatic stuff - burnouts, flying 180s, box 90s, multicar weaving shots, fishtails, etc., and much rubber was converted to airborne particulate.

I love the smell of burnt rubber in the morning. It smells like....money shot.

: )

More pics, more details, stills and footage to come, but for the moment, we need to head back into NYC, unload, unpack, duplicate all footage yet again to safe locations, see/call our women, and get some REST.

Stay tuned, I'll be back on the job tomorrow.

-mike

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Comments:
Working fine here... enjoy :)
 
Mike, if you get a chance to answer this (if it's something you CAN answer with any accuracy), FXGuide have stated that in their tests the Red One has less dynamic range than the Sony F23 - does that appear to be true from what you're seeing (and what others you're working with are saying)?
 
afaik F23 has greater dynamic range 12 or so and red about 10-11 but red more RES and frame rate
 
and we've been cloning processing and watching the footage on1500 and 2000 dollar laptops and able to do of moments after director yells cut with no$ 100k decks! Done from iPhone in moving car in holland tunnel
 
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