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High Definition Video for Independent Filmmakers
A How To Guide for Digital Filmmakers
Welcome all! This is my blog to share my latest research,
thoughts, etc. on utilizing HD for independent filmmaking.

YES, I am available for consulting
Contact me at mike@hdforindies.com

All content copyright 2004-2007 Mike Curtis.

Wednesday, January 09, 2008

Red Announces they'll have a 4K delivery system-UPDATED 

4K Delivery... - Reduser.net

"We are very happy to hear Panasonic and Sony announce their 4K displays at CES today. That allows us to finally announce that RED has been developing for release a 4K delivery system.

We have been committed to 4K from day one. It has always been our vision to see 4K in the home as well as on the big screen. We always believed that 1080P was a stop-gap along the way to 4K.

We will be announcing details of the RED 4K Delivery system at NAB in April.

Jim"


So that's more details on both the 4K delivery system and the Scarlet camera at NAB. Gonna be busy at their booth again this year I'll bet....

-mike

WEDNESDAY UPDATE

I was thinking some more about 4K. Red announced at NAB last year what we already knew - that a smaller camera (Scarlet) was under development ("handheld professional camera"), and 4K displays (yes plural) and projectors (yes plural) were under way. Now Red is announcing a 4K delivery system. Well, if you've got a screen, you need a delivery system to watch it. That's some means of delivering 4K, which I'm guessing would require a physical connection interface, a storage medium, encoder and a decoder, etc. Ponder on that as you will.

BUT....back to 4K displays. This all reminds me of the article I ran last year before buying my own HDTV (which I still like), HD For Indies: "When does 1080p make a difference?". That article included links to someone else's chart. Extrapolating from that chart, it seems clear that a display would make sense for those authoring content who can sit pretty close to it. 4K is 2304p by Red's standards for 16:9. Guesstimating that into their charts, that means that with a 60" screen (what I currently have), if it were 2304p you'd need to be 4 feet or less from it to see all the detail. To sit 10 feet back, typical living room distance, you'd need a screen of 140 or 150 or more inches (I'm mentally guessing looking at the graph). That isn't realistic for a display - you'd need a projector for that.

Which gets us back to the 4K display and content stuff - if you're 10 feet back, you'd need a screen in the ballpark of 15 feet (give or take feet) measured diagonally. That's roughly 13 feet by 7 1/2 feet - I don't have a wall that size available where I'd want to watch it. The biggest wallspace I have is about 9 feet wide.

The market for true home theaters (dedicated rooms) is growing. But that's a many-tens-of-thousands of dollars investment (unless you have a basement to convert). Is there enough market to support a 4K display/projector to get the costs down, Red volume style?

Of course, marketing trumpets reality - and Red certainly knows how to do that (and without buying a single ad, either - I've never seen a Red print ad, have you?).

As a market, 4K is a welcome option, but there is LOTS of progress to be made in optimizing the 1080p we've got now - even shooting on Red ones to make the 1080p BE 1080 pixels worth of resolution. Considering how much of the Planet Earth stuff was shot on Varicam (which only records 960x720 and gets uprezzed to 1920x1080....think how much BETTER it could look if it really WERE 1920X1080 worth of detail. And that takes good sensors, but REALLY takes quality glass.

And to view it, we need truly 1080p, not 1080i, presentation, especially for 24p. Triple, quadruple, or even quintuple flashing makes for a rock solid 24p with no cadence issues. 2:3:3:2, 2:3:2:3 is good but not perfect for 1080p sets running at 60Hz progressively.

I recall someone talking about 4K DI work - and saying that even with optimal projection, if you're not sitting in the first X # of rows of a theater (I think it was like 8 or 15), you're not seeing the difference between 2K and 4K. Similar arguments apply here.

I love that Red pushes the envelope on everything. But is 4K really the place to go? If they did it, I'm sure it would make for a lovely HD presentation as well.

Those are my immediate thoughts, more, of course, to follow later.

-mike

Labels: , ,

Comments:
What is a 4K delivery system? Does that mean there is a player and a display? Or is Jim just talking about a home 4K projector?
 
this further's my belief that the "pocket camera" will be 4k and he's counting on volume to pay for the sensors. I think Jim believes in 4k and wants to push it. perhaps everything else will be as consumer as possible. We'll see. It's an ambitious thought, but "4k in the home as well" just makes me think this.
 
Belief vs. Hopes -

why, if they can make a 4K camera this year that is about a foot long, do you think they can fit it into your pocket? How would a PL mount (only lens format for 35mm sized existing sensor) fit in your pocket?

I'm still thinking 2K at best - a cut down version of Red. How else to make it pocket sized?

-mike the blogger
 
1080p is a stop-gap measure along the way to 4K?

I tend to doubt that. It's taken years just to get people to upgrade to HD television sets, and I think they're going to stay there for a while.

Besides the improvement in resolution, going from standard def to HD meant going from 4:3 to the more cinematic 16:9. That was an exciting bonus for making the switch, but there's no such bonus going from 1080p to 4K. The only thing you gain is resolution, and I don't think the average person with a 46" or 50" set is going to appreciate 4K enough to buy a whole new television, and I can't see major networks and online services broadcasting their content in 4K, especially when most of them are still broadcasting in standard def today.

4K will certainly be successful in commercial applications, and it may be embraced by some rare cinephiles who can afford and accommodate a huge screen in their home, along with high-priced 4K content, but I doubt it has a shot at mainstream consumer success any time soon...ie, the next 10-20 years.
 
Helmut - hey man, I just report'em!

: )

HD is increasingly pushing SD out - good luck finding an SD tube television at the big box vendors these days, especially at living room sizes.

But 4K...harrumph. Blog update time.
 
Hi Mike!

Sorry, that wasn't directed at you, just Jim's own comments that you quoted!

Keep up the great work!
 
Could Jim be talking about a 4K delivery system for theatrical release only? Who are the players in DCI compliant digital distribution? I know Dolby has a system, and I think Doremi does as well. IMHO, 4K for the home is a long way off (and in most cases, probably overkill). But 4K is definitely coming for theatrical (and would be especially useful for Stereo 3D and IMAX applications).
 
i think i saw a 150" uhd (4k ultra HD) screen at ces. the tech is crazy expensive now, but in 10 years the cost could come down. i also think i saw flexible paper thin displays in japan somewhere. put those two together and youv got what basically could be imagined as a giant wall scroll tv that requires no projector at all. how sick would that be?
 
2 things...first off Scarlet. I know Jim et al have been throwing around the word "pocket" but do you really think it will be so small that you can fit it in your pocket? I guess I see this more as a RED camera for mom's and dad's shooting parties/vacations/soccer games etc. In which case, they're already used to the handycam size so why not shoot for something sized like a Sony HC7 where you have room to put in some quality internals and get a really nice picture? Actually being "pocket" sized seems like it would make things really difficult to get a get picture for a size/convenience trade-off that would be almost negligible. I've already got my keys, wallet and iPhone in my pocket, do I really want to walk around with a camera in pants to shoot casual video? Handycam size just makes more sense, IMHO. Second, 4K. 4K in the home is a bit ridiculous for the foreseeable future and Mike makes some solid points about the human eyes' ability to detect the difference based on distance/screen size. But the point is that RED is forward thinking. The infastructure is in place to be able to SHOOT 4K and go back and relink to that media on down the line, even if you're delivering 1080p now (obviously with some extra time built in for gfx/color work that would need to be redone at full res) But especially for indies, the point isn't to be able to do a 4K finish now, but to be able to shoot the next CLERKS and deliver a solid HD master and then when it hits Sundance and blows up and 10 years down the line when you're doing your 10th Anniversary Special Edition 4K flash drive version of the quintessential indie classic, you can go back to the 4K elements and do a nice restoration. It just seems to me that the list of people who need to finish/view/DI in 4K now is very small and limited to people with far more money than you or I. Or I could be way off...
 
"-a giant wall scroll tv that requires no projector at all. how sick would that be?"

The OLED (organic LED) technology is the mylar+ thin screen. Careful with that butter knife falling off your tray toward the screen!

At this thickness it's basically wallpaper, maybe you invest in a special cover that goes up to view.
 
"if you're not sitting in the first X # of rows of a theater (I think it was like 8 or 15), you're not seeing the difference between 2K and 4K."

And, if the projector is even slightly out of focus, you'll never see all 4K pixels.

Given that most consumers don't even realize that standard def material played on an HDTV isn't actually HD, I doubt 2K or 4K will be anything but an extremely niche market. 1080p is good enough, as you point out, for 99% of conceivable home uses, so I can't imagine that Red thinks it has a mass-market product on its hands with this delivery system.
 
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